2002 |
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December 2002 As Christmas approaches and we search the high street for a Cleveland Wrecking Yard (Richard Brautigan’s one-stop-shop from which we may purchase all our gifts, including trout streams), I feel I may have discovered one in China. Back in the early 70s there was a Cleveland Wrecking Yard in Newcastle Street, Burslem but, as happens in Stoke, the point was somehow lost and it sold nothing. Now it seems that the traditional products of the city are all made in the Far East. The china has returned from whence it came. Perhaps the same applies to everything. I received the following email from China. I am considering the purchase of a submarine: THE GATOSON (HOLDINGS) LIMITED
A wearing and accouterment B electricity & electronic product D vehicle E ship and spare parts F sports products G office equipment & stationery H daily commodity J industrial control/automatization K paper products L Oilfield equipments M aerospace products & aircrafts * Merry Christmas and Happy Transformationalistic New Year! *** November 2002 Like a young shepherd who’s got something in his field that troubles him I felt I could not let the case of Mike Batt versus John Cage pass without comment. It seems odd that Mike Batt’s name should occur on a Transformationalist website for the man is in no way transformationalistic; although during his career he has transformed himself from children’s entertainer (musical womble) to spawn of Satan (composer of Tory Party anthems). Mike Batt inserted a track of silence into his latest CD and as a merry jape credited it to Batt/Cage. John Cage’s famous silent piece, 4’33” has been the butt (or batt) of many jokes over the years, so nothing new here, but the John Cage estate objected and decided to sue Mike Batt for breach of copyright. The case was settled out of court and money changed hands, so that’s all fine and dandy and they can shovel it into John Cage’s grave if he ever stops spinning, but is that really all that 4’33” has become now - just a piddling piece of music? *** October 2002 Whilst engaged in this year’s annual Transformationalistic Silent Reading In A Corner Of A Library Event (unannounced) I happened across a CD entitled ‘The Voice in the Garden: Spanish Songs and Motets 1480-1550’ in the sale. I purchased same (£1) and was delighted to find it contained the following highly transformationalist piece by Francisco De Penalosa (c. 1470-1528):
POR LAS SIERRAS DE MADRID Through the mountains of Madrid I’m no friend of that gentleman, mother, That young shepherd, mother, Yours are my eyes, Isabel, They tell out in many languages the mighty deeds of God. *** September 2002 *** August 2002 I thought long and hard about this one. I received it a while ago and have no memory of ever subscribing, but here it is - make of it what you will: “this email is only meant for those that have subscribed. If you are receiving it without your consent please notify us immediatly.reply with remove as the subject and you will never again hear from us, or related projects. Below is a Review of the Eugenics Council /Rosemary Malign video. A few copies are still available for purchase. The video is packaged in red vinyl plastic bags, accompanied with Flyers, live photo's(over 20 pages worth), a promo cdr featuring new unreleased E.C. material, plus other various E.C. concert souvenirs. Each order will also receive a cdr containing previously released, and new never heard material. Paypal, along with credit card orders are accepted. $16 u.s. $18 world The video is approximately 2hrs 40 min. recorded in sp mode. Some cities featured on the videoSt.louis Mo - private raver/punk party (booked as a digital hardcore band, performed in a locked basement using a full size jackhammer, grinders, mig welder, drills, korg ms 10, signal gen, scrap metal, contact mics, tear gas and the rest of the usual E.C. gear. Virginia - Due to violence inflicted on Sharon from other band members, during the show it was decided that she would no longer be involved with E.C. The ceiling is blown out, along with the windows, due to the pressure caused by the explosives. Denver Co - Electronics only set,,in. OH (Rosemary fires a pistol into the audience loaded with tear gas blanks, minimal pa. focus on power tools, and vocals),Washington D.C. - Mig welder grounded to an analogue synth.....Washington D.C. Collab with Praying for Oblivion,Columbia Mo,Chicago IL,Kent Oh,Akron Oh,Nashville Tn,Kent Oh - "Punk Rawkers": try to start a fight, skinhead steals our amp, threats are made with a police taser resulting in the return of the amp. send money order, cash or check topo 30051columbia mo65205order with a credit card at http://cdstreet.com (do an artist search for eugenics council) Reviewed by http://Industrial.org (photos are available on the website)Of all the live footage I have seen through the years, two gigs definitely stand out further than a corpse's erection. There's this Anal Cunt show from Poland that gets me grinning wider than the crack of my ass, the crowd surfing guitarist ripping off insanely manic solos with one hand while he punches various crowd members in the face with the other. The other standout is the final GG Allin gig in New York where a crazed GG acts like scat covered pied piper leading a parade of unwanted sleazy hangers on through the streets desperately trying to evade the coppers and get his fix. Now thanks to this Eugenics Council video, the number of vids sharing that same exclusive rack space is up to three. I lost count after the first hour and a half or so but this vid includes a mind numbing amount of footage, close to three hours worth. Having so many gigs crammed together in fact makes this seem just a little like a TV serial redux, the best moments of a gajillion episodes crammed into one three hour whiz bang of nightmare special. You got the intra-member violence, you got the explosions, you got the molten metal, you got pure SKREEEEEEE! I have honestly never watched a live gig that I was less disappointed by - i.e. this is the real deal folks. Anyone can pick up some powertools in the safety of a huge warehouse art space (and you will see some of that here) but it takes a special kinda artistic dementia cum fearlessness to move the body shop into some unwary kids basement rec room. We are talking real fucking commitment here, not just common and pedestrian externally directed hatred and distaste but an equal helping of no fear death wish that will knock the clove cigarettes and poetry books out of the hands of every faux intellectual within several city blocks upon airing. I used to think I was kinda tough for a faked castration stunt I used to pull in an earlier band of mine but fake blood washes off and these folks will be pulling shards of aluminum out of their hides well into the environmentally induced Alzheimers that they are no doubt now looking forward to. The quality of the footage varies pretty wildly, a lot of X-Files dark scenes suddenly lit by the spray of sparks from a mig welder but still, quite a number of the shows (the best ones in fact) are totally acceptable. Sound is pretty lo-fi but still intense and generated the most satisfying third party facial expression I have seen in ages when a not so noise copasetic associate happened to be over during the initial viewing. Screeching vocal feedback, resonant oscillators into tight digital delay, caustic scraping metal and the smash crash boom of a self-deconstructing car compactor. Relentless, unforgiving and the absolute butt ugliest of ugly American misanthropy. The instrumentation these folks use is definitely worth mention. Besides the various drills and grinders which had my labourer roommate clutching his digits against his chest in phantom pain, you get the odd quarter stick of dynamite made into a make shift cannon by being tossed into an open oil drum, tear gas, you know, the usual boring stuff (yeah right). My personal fave however is the mig welder. In case you don't know what that is, a mig welder works by creating a high current electrical short, something you normally desperately avoid happening. They use a similar principle to melt aluminum - think really high current and molten metal hot. Put your wet little dinky into the 220V dryer power outlet for 3 months and you will kinda get the idea. I honestly kept expecting riot cops to come running in, guns ablaze for every one of these gigs, they get that crazy at times. The first gig on the tape is definitely the standout though. Again, fearless inappropriateness makes its debut in some judgement challenged roommates second floor apartment parlour room. You can smell the nervous anxiety dripping off the walls as the chaos and vitriol starts ramping up and away out of control. Rosemary Malign wanders aimlessly about screeching incoherently about some Whitehouseesque bedtime story while the Eugenics Council gang go all Ranxerox on each other with spark shooting grinders, then the crowd, then each other again until a few well timed explosives blow out the windows and send everyone running away in search of unpolluted oxygen. Getting shit kicked by the band members is the very least of your worries, you are lucky not to end up needing eye surgery and a blood transfusion after one of these gigs. Even SRL is safer since at least you are off in the bleachers and they certainly don't want to lose their corporate sponsorship. It is 100% totally fucking nuts. And about the purest form of the industrial genre you are likely to ever lose your hearing to. You and I will just have to get over it that we'll never be this fucking cool or honest.” *** July 2002 George Heath, the Moorland Poet. *** June 2002 Check out the intergalactic sounds of Blind Willie Johnson: |
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And click here to find out what other cool tunes the aliens are bopping to tonight. *** May 2002 This turned up the other day. I came across it in a local paper years ago, cut it out, put it somewhere safe, and lost it. Perhaps that’s the way it happens. Maybe it will disappear again from this site and one day there will just be a blank space below. We will see. I believe it proves the transformationalist belief in the existence of parallel worlds. Matthew Darlington’s theory of slippage (inspiration for the Stoke Musicians Collective’s record label), that the barriers between dimensions occasionally break down and allow free passage between different realms of existence, is clearly shown to be true. Here is the evidence: |
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*** April 2002 In this sad time of national grief and mourning, and in the spirit of the original Transformationalists’ response to the death of Queen Victoria, I respectfully offer the following: |
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*** March 2002
*** February 2002 I've been getting a number of emails declaring that as a veteran of the U.S. military then I am entitled to certain educational benefits. I am not and never have been a member of the armed forces of the United States of America and so I must assume that these emails are akin to those I receive from China advertising padlocks and flour mills. It is odd the rubbish that finds its way into my mind. I can no longer enjoy watching a film of an afternoon on the television for fear that it will be interrupted by various thespians, down on their luck, intimating that I am of an age where my only prospect is death and thus my one priority should be making suitable financial arrangements for my funeral.
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*** January 2002 |
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